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The deeper levels are organised into one circle for violence (Circle 7) and two circles for fraud (Circles 8 and 9). As a Christian, Dante adds Circle 1 (Limbo) to Upper Hell and Circle 6 (Heresy) to Lower Hell, making 9 Circles in total; incorporating the Vestibule of the Futile, this leads to Hell containing 10 main divisions. [26]
Galileo attempted to mathematically map Dante's description of hell, trying to bridge the Divine Comedy and scientific thinking. According to professor Mark Peterson, Galileo may have had a secondary aim, to attack the cosmological model of hell proposed by Alessandro Vellutello of Lucca , while supporting another model by the Florentine ...
The geography of hell is very elaborately laid out in this work, with nine concentric rings leading deeper into Earth, and deeper into the various punishments of hell, until, at the center of the world, Dante finds Satan himself trapped in the frozen lake of Cocytus. A small tunnel leads past Satan and out to the other side of the world, at the ...
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust , where the lustful are ...
Dante's orderly hell is a representation of the structured universe created by God, one which forces its sinners to use "intelligence and understanding" to contemplate their purpose. [17] The nine-fold subdivision of hell is influenced by the Ptolemaic model of cosmology, which similarly divided the universe into nine concentric spheres. [18]
They find a drawing of a door on the ceiling along with a Gnostic Star of David, symbolizing "As above, so below", which reveals a hidden opening in the floor. Going through, they find a tunnel marked with the phrase "Abandon all hope, ye who enter here" in Greek, identical to the script on the entrance to Hell in Dante's Inferno.
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A wood carving from 1475, showing 7 celestial bodies. The 5 planets that can be seen with the naked eye, and the Sun and the Moon, each floating in a heavenly layer, the Arabic Felaq in ancient cosmology. In mythological or religious cosmology, the seven heavens refer to seven levels or divisions of the Heavens.