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Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Frequencies of other notes are defined relative to this pitch. The written pitches for transposing instruments do not match those of non-transposing instruments. For example, a written C on a B ♭ clarinet or trumpet sounds as a non-transposing instrument's B ♭. The term "concert pitch" is used to refer to the pitch on a non-transposing ...
Sonata for Clarinet and Piano (Bernstein) Clarinet Sonatas (Brahms) Clarinet Sonata (Howells) Clarinet Sonata (Mendelssohn) Clarinet Sonata (Poulenc) Clarinet Sonata (Ries) Clarinet Sonata (Saint-Saëns) Clarinet Sonatina (Martinů)
Clarinet and piano. [96] Clarinet trio: clarinet, piano, and another instrument (for example, a string instrument). [95] Clarinet quartet: three B ♭ clarinets and bass clarinet; two B ♭ clarinets, alto clarinet, and bass; and other possibilities such as the use of a basset horn, especially in European classical works. [97] [57]
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
Concertino for trumpet with piano accompaniment (190–42) [12] Concertino for piano and orchestra in C major (1948) [12] Concertino for two pianos and orchestra (1935) [12] Richard Strauss: Duett-Concertino for clarinet, bassoon, strings and harp (1947) Igor Stravinsky: Concertino for string quartet (1920), also arrs. for piano four-hands, and ...
Once again the orchestra goes into a section in G major, which exactly imitates the previous section, also in G major. Suddenly the clarinet enters in E-flat major with a virtuosic scale followed by numerous runs. In this E-flat major section there is some very large leaps, one being 3 octaves and a tone at bar 56.
Fantasy-Sonata is a piece in E-flat major for clarinet and piano composed by John Ireland in 1943. The work is Ireland's only extant piece for solo clarinet and one of his last major compositions before his retirement. [1] It is dedicated to Frederick Thurston and was premiered by Thurston and Ireland in January 1944.
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