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"One of Us Must Know (Sooner or Later)" is a song by the American singer-songwriter Bob Dylan, which was released as a single on February 14, 1966, and as the fourth track on his seventh studio album Blonde on Blonde in June of that year. The song was written by Dylan and produced by Bob Johnston. It is the narrator's account of a burned-out ...
In his book Wicked Messenger: Bob Dylan in the 1960s, critic Mike Marqusee writes that the closing verse "hints at a dark betrayal that is both portentous and frighteningly devoid of meaning": [4] Well they sent for the ambulance And one was sent Somebody got lucky But it was an accident Now I'm pledging my time to you Hopin' you'll come ...
Dylan was satisfied with "One of Us Must Know"; the January 25 take was released as a single a few weeks later and was subsequently selected for the album. [21] Another session took place on January 27, this time with Robertson, Danko, Kooper and Gregg. Dylan and his band recorded "Leopard-Skin Pill-Box Hat" and "One of Us Must Know (Sooner or ...
Scholar Laurence Coupe has argued that the identity of the title character "echoes" Jack Kerouac's Visions of Gerard (written 1956, published 1963), and the song as a whole, like the novel, "would seem to be about the hunger for beatific experience—the hope that the sacred realm might yet be glimpsed within the profane.
[36] [37] Members included Stephen Duffy, a founder member of Duran Duran, and Dave Kusworth, later of Jacobites. [36] Later renamed the Hawks, they released only one single before breaking up at the end of 1981, although a compilation of their recordings was released in 2021 as the album Obviously 5 Believers .
Toggle Meaning subsection. 1.1 Identity of Queen Jane. 2 Style. ... It was released as a single as the B-side to "One of Us Must Know (Sooner or Later)" in January 1966.
In Dylan's autobiography, "Chronicles: Volume One," the singer recalled their first meeting: "Right from the start, I couldn’t take my eyes off her. She was the most erotic thing I’d ever seen.
[28] [27] One-off acoustic performances in 1974 and 1978 have been criticized as "among Dylan's worst-ever live performances" by Heylin, [29] who praised the 1966 performances, where he felt Dylan was focused, and a 1975 Rolling Thunder Revue live rendition that he felt "came caressingly close to [the song's] corrosive core". [29]