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Martin EB18 bass guitar headstock, showing Martin open-type machine heads. The reverse of the machine heads on a "folk" steel-string acoustic guitar. Note the enclosed gears. On some guitars, such as those with Floyd Rose bridge, string tuning may be also conducted using microtuning tuners incorporated into the guitar bridge.
Classical guitar headstock. A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. . The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin fami
The headstock shape was also modified to a deeper taper and shaped to resemble the Martin instruments. As is traditional with classical instruments, Sigma classical guitars do not have the headstock logo, and one must rely on the inner label for identification.
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Vega initially labeled these instruments A. C. Fairbanks, then switched to Fairbanks banjo by the Vega Co., then eventually to just Vega. David L. Day, who had been the chief acoustical designer at Fairbanks, became general manager of the Vega stringed instrument division and continued to develop innovative and successful banjo designs.
Headstock of a Washburn RB2802 eight-string bass. In recent years, Washburn licensed several guitar construction features: the Buzz Feiten Tuning System — a corrected temperation tuning formula, using a compensated nut and saddle to minimize the inherent intonation problems of the Western tuning formula. The BFTS was first used by Washburn in ...
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
He was the author of a banjo method, a guitar method, and a Tutor for Mandolin (1892), which he wrote while still in school. [ 1 ] Ellis was born in Dulwich , London, the son of a licensed victualler , and received no musical instruction beyond that given by his mother, who had been a pupil of Sir Julius Benedict; she taught her son the piano ...