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The poem is addressed to the goddess Proserpina, the Roman equivalent of Persephone, but laments the rise of Christianity for displacing the pagan goddess and her pantheon. [1] The epigraph at the beginning of the poem is the phrase Vicisti, Galilaee, Latin for "You have conquered, O Galilean", the supposed dying words of the Emperor Julian. [2]
The poem is mentioned in Lemony Snicket's A Series of Unfortunate Events (where the first line of the poem, "Here, where the world is quiet", was slightly modified to become the motto of the secret organization V.F.D.) and The Lightning Thief. A portion of the poem is quoted, and plays a pivotal role, in the novel Martin Eden by Jack London.
The tricalcium phosphate in bone char can be used to remove fluoride [3] and metal ions from water, making it useful for the treatment of drinking supplies. Bone charcoal is the oldest known water defluoridation agent and was widely used in the United States from the 1940s through to the 1960s. [4]
Human uses of animals include both practical uses, such as the production of food and clothing, and symbolic uses, such as in art, literature, mythology, and religion. All of these are elements of culture, broadly understood. Animals used in these ways include fish, crustaceans, insects, molluscs, mammals and birds.
The Old Vicarage, Grantchester" is a light poem by the English Georgian poet Rupert Brooke (1887–1915), written in Berlin in 1912. Initially titled "The Sentimental Exile", Brooke, with help from his friend Edward Marsh , renamed it to the title the poem is now commonly known as.
The poem is about a lady in a family of aristocrats, and includes numerous references to nobility, such as to earls or coats of arms. One such line from the poem goes, "Kind hearts are more than coronets, and simple faith than Norman blood." This line gave the title to the film Kind Hearts and Coronets.
The poem by which Scott is most remembered now is “The Drum” (Ode 13), an anti-war poem beginning “I hate that drum’s discordant sound” which was widely reprinted after its publication. [19] In England it was set as a vocal piece by Benjamin Frankel as part of his “8 Songs” (Op. 32, 1959), [20] and later by Christopher Dowie. [21]
The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical/metaphysical speculation [1] and is one of multiple poems where Tennyson touches upon the topic of the relationships between God, nature, and human life.