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King Petar the First (Serbian: Краљ Петар I) is a 2018 Serbian-Greek war historical drama film directed by Petar Ristovski, starring Lazar Ristovski and Radovan Vujović. The screenplay is based on Milovan Vitezović 's 1994 novel King Petar's socks .
When Day Breaks (Serbian: Кад сване дан, romanized: Kad svane dan) is a 2012 Serbian drama film directed by Goran Paskaljević.The film was selected as the Serbian entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist.
Time of the Gypsies (Serbo-Croatian: Дом за вешање, Dom za vešanje, lit. 'Home for Hanging') is a 1988 Yugoslav coming-of-age fantasy crime drama directed by Emir Kusturica . Filmed in Romani and Serbo-Croatian , Time of the Gypsies tells the story of a young Romani man with magical powers who is tricked into engaging in petty crime.
Montevideo, God Bless You! (Serbian: Монтевидео, Бог те видео!, romanized: Montevideo, Bog te video!; internationally titled Montevideo, Taste of a Dream) is a 2010 Serbian sports comedy film directed by Dragan Bjelogrlić about the events leading to the participation of the Yugoslavia national football team at the first FIFA World Cup in Montevideo, Uruguay in July 1930.
The film uses the epic story of two friends to portray a Yugoslav history from the beginning of World War II until the beginning of the Yugoslav Wars. It is an international co-production with companies from Yugoslavia ( Serbia ), France, Germany, Czech Republic and Hungary.
Leptirica (Serbian Cyrillic: Лептирица, lit. 'The She-Butterfly') is a 1973 Yugoslav made-for-TV folk horror film directed by the Serbian and Yugoslav director Đorđe Kadijević and based on the short story After Ninety Years (1880) written by Serbian writer Milovan Glišić. [2]
The film cuts to a scene in 1993 when Luka, posing as a newspaper salesman, was invited to sit with Teja, Maki and Gipsani at a kafana. Luka was a staunch communist at the time and loathed Teja for his anti-communist rants.
The film was released in FR Yugoslavia (Serbia and Montenegro) in May 1998 where it became a cinema hit with 450,000 admission tickets sold [13] despite its promotional cycle in the country being severely impacted by the government's refusal to run the film's ads on state television RTS (then under general manager Dragoljub Milanović).