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The English title derives from famous piano transcriptions made by Myra Hess, in 1926 for piano solo and in 1934 for piano duet, [1] as published by Oxford University Press. Whether played instrumentally or sung in German or English, the chorale is often heard at weddings and during Advent , Christmas , and Easter .
Yvonne Elliman and Ted Neeley sing "Everything's Alright" in the 1973 film Jesus Christ Superstar. Yvonne Elliman, who sang the part of Mary Magdalene on the original rock opera concept album Jesus Christ Superstar [3] and also in the 1971 Broadway original cast [4] and 1973 film, released a single of "Everything's Alright" in 1971, which reached #92 on the Billboard Hot 100.
IV-V-I-vi chord progression in C major: 4: Major I–V–vi–IV: I–V–vi–IV chord progression in C: 4: Major I–IV– ♭ VII–IV: I–IV– ♭ VII–IV. 3: Mix. ii–V–I progression: ii–V–I: 3: Major ii–V–I with tritone substitution (♭ II7 instead of V7) ii– ♭ II –I: 3: Major ii-V-I with ♭ III + as dominant ...
And I love my Lord Jesus above anything. In that hall there stands a bed: The bells of Paradise I heard them ring: It's covered all over with scarlet so red: And I love my Lord Jesus above anything. At the bed-side there lies a stone: The bells of Paradise I heard them ring: Which the sweet Virgin Mary knelt upon: And I love my Lord Jesus above ...
Jesus Over Everything is the first live praise and worship album from Planetboom. [1] Venture3Media released the album on 22 March 2019. [2] Critical reception.
A chord may also have chromatic notes, that is, notes outside of the diatonic scale. Perhaps the most basic chromatic alteration in simple folk songs is the raised fourth degree (♯) that results when the third of the ii chord is raised one semitone. Such a chord typically functions as the secondary dominant of the V chord (V/V).
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The above definitions spell out the interval of each note above the root. Since triads are constructed of stacked thirds, they can be alternatively defined as follows: major triads contain a major third with a minor third stacked above it, e.g., in the major triad C–E–G (C major), the interval C–E is major third and E–G is a minor third.
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