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Five Little Peppers and How They Grew is a 1939 American black-and-white children's comedy drama film directed by Charles Barton, produced by Jack Fier and based on the novel of the same name by Margaret Sidney. Starring Edith Fellows, Charles Peck, Tommy Bond, Jimmy Leake and Dorothy Anne Seese, it is the first of four Five Little Peppers films.
An illustration for The Five Little Peppers, 1887. The Five Little Peppers is a book series created by American author Margaret Sidney which was published 1881 to 1916. It covers the lives of the five children in their native state and develops with their rescue by a wealthy gentleman who takes an interest in the family.
The copper mine co-owned by Polly and Mr. King has not yielded any copper, and the stress has left King bedridden. Polly learns that King's valet Martin is knowledgeable in geology, and Polly and her siblings bring Martin to the mine to look for a copper vein.
Title Director Cast Genre Notes $1,000 a Touchdown: James P. Hogan: Joe E. Brown, Martha Raye, Eric Blore, Susan Hayward: Comedy: Paramount: 20,000 Men a Year: Alfred ...
Five Little Peppers: 1939–40 4 Boston Blackie: 1941–49 14 Cantinflas films: 1942–82 34 from Los tres mosqueteros to El barrendero: Crime Doctor: 1943–49 10 The Whistler: 1944–48 8 Rusty: 1945–49 8 Jungle Jim: 1948–56 16 Frankenstein: 1958–94 4 Columbia/TriStar
Kolb played himself in his last movie appearance, Man of a Thousand Faces (1957), opposite Danny Beck (who played the late Max Dill). On September 1, 1917, Kolb married dancer May Cloy (whose birth name was Mabel S. Larsen). [4] They were still married when he died. [5] Kolb died at age 90 of a stroke at the Orchard Gables Sanitarium in Hollywood.
Perry feels the cult musical is a "fascinating" "window into the times," but Frampton, who says "trickery" was used to get him to sign on and bore "the full brunt" of the backlash, still “hasn ...
In Columbia Pictures Movie Series, 1926–1955: The Harry Cohn Years, Gene Blottner writes that the Five Little Peppers series ended "because, quite frankly, the screenplays were so saccharin that even the talented Edith Fellows couldn't save them."