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The Toreador Song, also known as the Toreador March or March of the Toreadors, is the popular name for the aria " Votre toast, je peux vous le rendre" ("I return your toast to you"), from the French opera Carmen, composed by Georges Bizet to a libretto by Henri Meilhac and Ludovic Halévy.
Romanian Christmas Carols, Sz, 57, BB 67 (Hungarian: Román kolindadallamok) is a set of little colinde, typical Christmas songs from Romanian villages, habitually sung by small groups of children, adapted in 1915 by Hungarian composer Béla Bartók to be played on the piano after hearing them sung in the below villages.
The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration. However the order of the musical allusions are in reversed chronological order, and do not adhere to the operatic versions ...
Carmen: Duets & Arias is an album released in 2010 by Italian tenor, Andrea Bocelli. [2] The album is a collection of arias of Georges Bizet 's opera Carmen , including duets with Welsh bass-baritone , Bryn Terfel , Russian mezzo-soprano Marina Domashenko , and Italian soprano Eva Mei , from the French opéra comique .
El Noi de la Mare (The Child of the Mother) is a traditional Catalan Christmas song. The song was made famous outside Spain by Andrés Segovia who used to perform Miguel Llobet 's guitar transcription as an encore.
Habanera ("music or dance of Havana") is the popular name for "L'amour est un oiseau rebelle" (French pronunciation: [lamuʁ ɛt‿œ̃n‿wazo ʁəbɛl]; "Love is a rebellious bird"), an aria from Georges Bizet's 1875 opéra comique Carmen.
G. I. Carmen was an all-GI 1945 musical stage show produced by the 253rd Infantry Regiment, 63rd Division of the U.S. Army as morale booster for allied troops occupying post-WWII Europe.
Born in 1900, Wagenknecht lived until 2004, publishing a book on Willa Cather when he was 94. I’ve sometimes wondered if he ever changed his mind about De la Mare or Memoirs of a Midget. I hope he didn't." [6] Dirda reminds us that the 1920s in Britain were a time that writers experimented in fantasy and unusual perspectives: