Search results
Results from the WOW.Com Content Network
In May 1999, an Australian man from Melbourne named Bill Morgan (born 1961) was captured on film winning a AU$250,000 scratchcard while re-enacting his previous scratchcard win for a news report. The video of the event has since been widely shared online.
C31 Melbourne is a free-to-air community television channel in Melbourne, Victoria, Australia. Its name is derived from UHF 31, the frequency and channel number reserved for analogue broadcasts by metropolitan community television stations in Australia .
One for All Tour is a concert video from The Bee Gees recorded live at the National Tennis Centre in Melbourne, Australia in November 1989. Melbourne was the third final stop on their 1989 One for All World Tour, which included the United States, Europe, and Asia the first time the Bee Gees played live there since their 1979 Spirits Having Flown Tour.
The Across the Great Divide Tour was a live DVD and release by Australian rock bands Powderfinger and Silverchair.Released on 1 December 2007, it followed two Melbourne concerts during the bands' two-month-long nationwide tour, titled the Across the Great Divide tour.
It aired on Melbourne station HSV-7, broadcast live at 10:00PM on Thursdays. Hosts of the series included Terry Scanlon [1] and Frank Wilson. [2] The series faced tough competition from GTV-9's popular In Melbourne Tonight. At least part of an episode is known to exist and is available for viewing on YouTube. [3]
The bulletin is streamed live on 10Play and YouTube at 10:00 pm AEST, followed by a delayed broadcast on television at 10:30 pm local time. [ 17 ] [ 23 ] [ 24 ] The network's first late news bulletin, Ten Evening News: Crisis in the Gulf , was hosted by veteran newsreader Eric Walters and was part of the network's coverage of the First Gulf War ...
Enjoy a classic game of Hearts and watch out for the Queen of Spades!
The station's "Melbourne's Alive" promo, which ran in 1999. In March 1960, the station converted an old cinema in Fitzroy into the southern hemisphere's first fully remote studio, equipped with RCA TRT video tape recorders, camera cranes and AV mixing equipment. It featured a larger stage and backstage rooms, and audience capacity for up to 600.