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Dorothy Leigh Sayers (usually styled as Dorothy L. Sayers; 1893–1957) was an English crime writer, poet, playwright, essayist, translator and Christian humanist; she was also a student of classical and modern languages.
Regarded in the Christian world as something of a classic, it is often quoted. [citation needed]In The Mind of the Maker, one of her most profound works, Sayers contends that the creative process in art works in ways that correspond to the dynamic relation among the three Persons of the Trinity in Christian theology—and that the activity of one illuminates the activity of the other.
Dorothy Leigh Sayers (/ s ɛər z / SAIRZ; [n 2] 13 June 1893 – 17 December 1957) was an English crime novelist, playwright, translator and critic.. Born in Oxford, Sayers was brought up in rural East Anglia and educated at Godolphin School in Salisbury and Somerville College, Oxford, graduating with first class honours in medieval French.
Thrones, Dominations is a Lord Peter Wimsey–Harriet Vane murder mystery novel that Dorothy L. Sayers began writing but abandoned, and which remained at her death as fragments and notes. It was completed by Jill Paton Walsh and published in 1998.
Crystal Downing has written two books on Dorothy Sayers, Writing Performances: The Stages of Dorothy L. Sayers, which was granted the Barbara Reynolds Award for best Sayers scholarship in 2009 by the Dorothy L. Sayers Society, and Subversive: Christ, Culture and the Shocking Dorothy L. Sayers along with nearly 100 other scholarly essays. [7]
Dorothy L. Sayers began writing plays for public performance in 1935 with Busman’s Honeymoon, a dramatic incarnation of the characters from her Lord Peter Wimsey books. She collaborated on this script with her friend from her college days at Oxford, M. St. Clare Byrne who was a lecturer at the Royal Academy of Dramatic Art.
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