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Textile arts are arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects. Textiles have been a fundamental part of human life since the beginning of civilization .
There are many specialized textiles programs around the world. The Royal School of Needlework in England is the only school dedicated solely to fiber arts. [40] Infrastructure supporting the recognition and development of fiber arts has increased over the 20th century. Fiber arts study groups have proven to be particularly important in this regard.
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Textile fibres or textile fibers (see spelling differences) can be created from many natural sources (animal hair or fur, cocoons as with silk worm cocoons), as well as semisynthetic methods that use naturally occurring polymers, and synthetic methods that use polymer-based materials, and even minerals such as metals to make foils and wires.
Needlework may include related textile crafts such as crochet, worked with a hook, or tatting, worked with a shuttle. Similar abilities often transfer well between different varieties of needlework, such as fine motor skill and knowledge of textile fibers. Some of the same tools may be used in several different varieties of needlework.
This timeline of clothing and textiles technology covers events relating to fiber and flexible woven material worn on the body. This includes the making, modification, usage, and knowledge of tools, machines, techniques, crafts, and manufacturing systems ( technology ).
Ada Dietz (1882 – 1981) was an American weaver best known for her 1949 monograph Algebraic Expressions in Handwoven Textiles, which defines weaving patterns based on the expansion of multivariate polynomials. [9] J. C. P. Miller used the Rule 90 cellular automaton to design tapestries depicting both trees and abstract patterns of triangles. [10]
Olga de Amaral (born 1932 [1]) is a Colombian textile and visual artist known for her large-scale abstract works made with fibers and covered in gold and/or silver leaf. . Because of her ability to reconcile local concerns with international developments, de Amaral became one of the few artists from South America to become internationally known for her work in fiber during the 1960s and ‘7