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  2. A-flat major - Wikipedia

    en.wikipedia.org/wiki/A-flat_major

    A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament

  4. Klavierübung (Busoni) - Wikipedia

    en.wikipedia.org/wiki/Klavierübung_(Busoni)

    The Klavierübung (Piano Tutorial, BV A 3), by the Italian pianist and composer Ferruccio Busoni, is a compilation of piano exercises and practice pieces, comprising transcriptions of works by other composers and original compositions of his own.

  5. List of musical symbols - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_symbols

    Harmonic flat Lowers the pitch of a note to a pitch matching the indicated number in the harmonic series of the root (bottom) of the chord. The diagram shows a specific example, the septimal flat , in the context of a septimal minor third , in which the E ♭ is tuned exactly to a 7:6 frequency ratio with the root (C).

  6. A♭ (musical note) - Wikipedia

    en.wikipedia.org/wiki/A%E2%99%AD_(musical_note)

    A ♭ (A-flat; also called la bémol) is the ninth semitone of the solfège. It lies a diatonic semitone above G and a chromatic semitone below A , thus being enharmonic to G ♯ , even though in some musical tunings , A ♭ will have a different sounding pitch than G ♯ .

  7. Microtonality - Wikipedia

    en.wikipedia.org/wiki/Microtonality

    Microtonality is the use in music of microtones — intervals smaller than a semitone, also called "microintervals".It may also be extended to include any music using intervals not found in the customary Western tuning of twelve equal intervals per octave.

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