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The Wild One is a 1953 American crime film directed by László Benedek and produced by Stanley Kramer. The picture is most noted for the character of Johnny Strabler, portrayed by Marlon Brando , whose persona became a cultural icon of the 1950s.
László Benedek (Hungarian pronunciation: [ˈlaːsloː ˈbɛnɛdɛk]; March 5, 1905 – March 11, 1992; sometimes Laslo Benedek) was a Hungarian-born film director and cinematographer, most notable for directing The Wild One (1953).
"Wild One" (Martha and the Vandellas song), 1964 "Wild One" (Johnny O'Keefe song), 1958, also known as "Real Wild Child" "Wild One" (Green Day song), a song by Green Day from the 2012 album ¡Dos! "Wild One", a song by Dio from the album Lock Up the Wolves "Wild One", a 2009 song by Rooney released on the EP Wild One
The Wild One [1] is a feature documentary on the Holocaust survivor and director Jack Garfein, directed by Tessa Louise-Salomé, [2] and written by Louise-Salomé and Sarah Contou-Terquem. In 2022, the movie has won the best cinematography award in a documentary feature at the Tribeca Film Festival. [3]
She first gained attention in 1953, when she played a good-hearted girl who is intrigued by Marlon Brando in The Wild One.The following year, she appeared opposite Tony Curtis in Beachhead, and with Dale Robertson in Sitting Bull, and the year after that as Fredric March's daughter in the thriller The Desperate Hours, which also starred Humphrey Bogart.
He portrayed characters such as the father in Fourteen Hours (1951) and a psychopathic gangster in The Lineup (1958).. He also played the police chief and father of biker Marlon Brando's love interest in the 1953 film The Wild One, and as another cop, this time Brando's antagonist, in the film musical, Guys and Dolls.
Paxton was hired by Stanley Kramer, who released through Columbia, to adapt the story for The Wild One (1953). He went to MGM to write The Cobweb (1955) then re-wrote R.C. Sheriff's script for A Prize of Gold (1955) for Warwick Films who released through Columbia. [7] Warwick liked Paxton's work and hired him to write Interpol (1957).
The movie The Wild One was Hollywood’s version of Hollister, and was pivotal in defining the image of outlaw clubs. … The Wild One had an enormous social impact. Motorcyclists across the Western world saw the Hollywood version of an outlaw motorcycle club rebel—the attitude, the clothes, the disrespect for society, the treatment of women ...