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In all major scales with flat key signatures, the tonic in a major key is a perfect fourth below the last flat. When there is more than one flat, the tonic is the note of the second-to-last flat in the signature. [11] In the major key with four flats (B ♭ E ♭ A ♭ D ♭), for example, the second to last flat is A ♭, indicating a key of A ...
The 'major' alteration is usually superfluous, as a key description missing an alteration is invariably assumed to be major. In the German notation scheme, a hyphen is added between the pitch and the alteration (D-Dur). In German, Dutch, and Lithuanian, the minor key signatures are written with a lower case letter (d-Moll, d klein, d kleine terts).
Moreover, the key signature of the piece of music (or section) will generally reflect the accidentals in the corresponding major scale. For instance, if a piece of music is in E ♭ major, then the seven pitches in the E ♭ major scale (E ♭ , F, G, A ♭ , B ♭ , C and D) are considered diatonic pitches, and the other five pitches (E ...
Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (i.e. the flattened supertonic) requires both a flat and a natural accidental. The A major scale is:
A-flat major was the flattest major key to be used as the home key for the keyboard and piano sonatas of Domenico Scarlatti, Joseph Haydn and Ludwig van Beethoven, with each of them using the key for two sonatas: Scarlatti's K. 127 and K. 130, Haydn's Hob XVI 43 and 46, and Beethoven's Op. 26 and Op. 110, while Franz Schubert used it for one ...
E-flat major is a major scale based on E ♭, consisting of the pitches E ♭, F, G, A ♭, B ♭, C, and D. Its key signature has three flats . Its relative minor is C minor , and its parallel minor is E ♭ minor , (or enharmonically D ♯ minor ).
C-flat major is the home key of the harp, with all its pedals in the top position, and it is considered the most resonant key for the instrument.Thus, in Richard Strauss's Ein Heldenleben, the first cue for the harps is written in C-flat major even though the rest of the orchestra, having previously played in E-flat major, retains a 3-flat key signature and is now playing in B major, marked ...
Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ... Neapolitan major scale on C. Play ...