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Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
Salsa music developed in the 1960s and 1970s by Puerto Rican and Cuban immigrants to the New York City area but did not enter into mainstream popularity in Latin America until the late 1980s. The merengue music experienced during the late 1970s was a golden age of productivity characterized by the rise of a new generation of musicians.
The 1970s continued a trend toward a proliferation of No. 1 hits on the Billboard Hot Country Singles chart. In 1970, there were 23 songs that reached the top spot on the chart, but by the mid-1970s, more than 40 titles rotated in and out of the top spot for the first time in history.
US Billboard 1970 #1, Hot100 #1 for 6 weeks, 14 total weeks, Grammy Hall of Fame 1998, National Recording Registry 2012, 264 points 2: B. J. Thomas "Raindrops Keep Fallin' on My Head" Scepter 12265: June 1969: October 1969: 6: 3.00: US Billboard 1970 #2, Hot100 #1 for 4 weeks, 22 total weeks, Grammy Hall of Fame 2014 (CashBox ranking is 1969 ...
Nuyorican Poets Café. The Nuyorican movement is a cultural and intellectual movement involving poets, writers, musicians and artists who are Puerto Rican or of Puerto Rican descent, who live in or near New York City, and either call themselves or are known as Nuyoricans. [1]
Musical literacy is the reading, writing, and playing of music, as well an understanding of cultural practice and historical and social contexts.. Music literacy and music education are frequently talked about relationally and causatively, however, they are not interchangeable terms, as complete musical literacy also concerns an understanding of the diverse practices involved in teaching music ...
While discussions in the 1970s were dominated by literary criticism, these were supplanted by architectural theory in the 1980s. [48] Some of these conversations made use of French poststructuralist thought, but only after these innovations and critical discourse in the arts did postmodernism emerge as a philosophical term in its own right. [49 ...
In the 1970s jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments (piano, double bass, etc.).