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The Cancionero de Palacio (Madrid, Biblioteca Real, MS II–1335), or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding ...
The Cancionero de la Colombina or Cancionero Musical de la Colombina (CMC) is a Spanish manuscript (Ms. 7-1-28) containing Renaissance music from the second half of the 15th century. [ 1 ] The manuscript was copied during the reign of the Catholic Monarchs , possibly between the 1460s and the 1480s.
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The Cancionero Musical de Montecassino (Montecassino, Biblioteca dell'Abbazia, 871), known by the abbreviation "(CMM)" is an important Neapolitan manuscript of music from the 1480s, containing many otherwise unknown compositions.
Duke of Medinaceli's Palace in Medinaceli. The Cancionero de Medinaceli or Cancionero Musical de Medinaceli (CMM) is a manuscript containing Spanish music of the Renaissance.It was copied during the second half of the 16th century and kept at the library of the Duke of Medinaceli's house, hence its name.
A chansonnier (Catalan: cançoner, Occitan: cançonièr, Galician and Portuguese: cancioneiro, Italian: canzoniere or canzoniéro, Spanish: cancionero) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally "song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not ...
The Cancionero de Segovia or Cancionero Musical de Segovia (CMS) (Segovia Cathedral, Archivo Capitular, s.s. [antiguo18]), also known as Cancionero of the Segovia Cathedral, is a manuscript containing Renaissance music from the end of the 15th century and beginning of the 16th century. It contains a wide repertoire of works by mainly Spanish ...
The Cancioneiro de Elvas (in English: Elvas Songbook) is one of the four Renaissance songbooks of Portuguese music from the 16th century - along with the Lisbon Songbook, the Belém Songbook, and the Paris songbook. It is one important source of secular music from the Iberian Renaissance. The songs are composed in Portuguese and Spanish languages.