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Marc Andrew Gunn (born March 17, 1972) [1] is an American musician and podcaster.. Gunn rose to prominence as the autoharp-playing half of the Brobdingnagian Bards.He and partner Andrew McKee developed a following with weekly performances on the campus of the University of Texas at Austin.
Bowers is known for performing on the autoharp. Bowers became very popular with the audience of the comedy radio program The Dr. Demento Show with his 1980 recording of Mike Cross's song "The Scotsman". [2] In 1993, Bowers was inducted into the Autoharp Hall of Fame whose membership includes Mother Maybelle Carter, Kilby Snow, and Sara Carter. [3]
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Kilby Snow (May 28, 1905 – March 29, 1980) was an American folk musician.A virtuoso Autoharpist, he was awarded the title of Autoharp Champion of North Carolina at the age of 5, but recorded only a single album for Folkways Records in the 1960s.
Roger Penney is regarded as the originator and developer of psychedelic folk autoharp, as well as the first person to play electric autoharp. [14] [15] [16] The style was completely unprecedented. Using his electrified harp as the lead instrument on all recordings. What is often mistaken for electric guitar is actually the sound of the autoharp.
Zimmerman expanded on Uhlig's early 1- and 2-row square concertinas, developing a 3-row chromatic bisonoric instrument, eventually selling his business to instrument maker Ernst Louis Arnold and emigrating to the United States, where he later became famous for his string instrument invention, the autoharp.
She soon became a regular at Sunset Boulevard's jazz clubs and began to perform autoharp version of tunes from Alan Lomax's The Folk Songs of North America. [1] Henderson got her break when she met Lord Buckley – who called her "the Lady Dorris" [ 3 ] – and joined him for a series of stage shows in Hollywood , including an appearance ...
Autoharp (center) by C.F. Zimmermann Co. in 1896–99; (left is a marxophone, right is a dolceola). Charles F. Zimmermann, a German immigrant in Philadelphia, was awarded a patent in 1882 for a “Harp” fitted with a mechanism that muted strings selectively during play. [3]
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