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Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Khwaja Hafiz recites his poetry in the 17th century. The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate. [1]
Ghulam Hamdani Mushafi, the poet first believed to have coined the name "Urdu" around 1780 AD for a language that went by a multiplicity of names before his time. [1] Mirza Muhammad Rafi, Sauda (1713–1780) Siraj Aurangabadi, Siraj (1715–1763) Mohammad Meer Soz Dehlvi, Soz (1720-1799) Khwaja Mir Dard, Dard (1721–1785)
Hakim Ahmad Shuja – Pakistani Urdu and Persian poet (1893–1969) Iftikhar Arif – Pakistani poet and litterateur (born 1944) Jaun Elia – Pakistani poet (1931–2002) Jawayd Anwar – Pakistani poet and writer (1959–2011) Josh Malihabadi – Indian poet (1898–1982) Kishwar Naheed – Pakistani writer
Insha Allah Khan (Urdu: اِنشا اللہ خاں; c. 1752 Murshidabad –1817), known as Insha, was an Urdu poet in the courts of Lucknow and Delhi in the late eighteenth and early nineteenth century. A multi-talented polyglot, he was the author of the first grammar of the Urdu language, Darya-e-Latafat.
Zauq was a prominent contemporary of Ghalib and in the history of Urdu poetry the rivalry of the two poets is quite well known. During his lifetime Zauq was more popular than Ghalib for the critical values in those days were mainly confined to judging a piece of poetry on the basis of usage of words, phrases and idioms. Content and style were ...
The recurring theme of elusive love is often explored in ghazals such as "Wo tou khushbu hai" (He is fragrance), where the poet describes the essence of love as fleeting and intangible, like a scent. For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is ...
Miraji's literary output was immense but he published very little of his poetry during his lifetime. However, Khalid Hasan, in his article "Meera Sen's forgotten lover," [citation needed] records that during Miraji's lifetime four collections of Miraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore.
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