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Self-Portrait in a Convex Mirror received three major literary prizes: the Pulitzer Prize for Poetry, the National Book Award for Poetry, and the National Book Critics Circle Award for Poetry. To date, Ashbery is the only writer working in any genre to receive a Pulitzer, National Book Award, and National Book Critics Circle Award in the same ...
Compiled in an effort to present modern poetry in a way that would appeal to the young, Watermelon Pickle was long a standard in high school curricula, [2] and has been described as a classic. [3] The anthology consists of 114 poems, including ones by Ezra Pound, Edna St. Vincent Millay and e. e. cummings, but also
His essay "Where Mirrors Are Windows: Toward an Anthology of Reflections" (1989), and his commentaries in The Interior Landscape: Love Poems from a Classical Tamil Anthology (1967) and Folktales from India, [13] Oral Tales from Twenty Indian Languages (1991) are good examples of his work in Indian folklore studies. [6] [14]
Mirror (Korean: 거울) is a poem written by the Korean author Yi Sang.It was published in the October 1933 issue of Catholic Youth (가톨릭 청년, Volume 5).Other works by Yi Sang that also explore the theme of mirrors include Crow's Eye View, Poem No. 15 (오감도 시 제 15호) and Bright Mirror (명경).
Citizen: An American Lyric is a 2014 book-length poem [1] and a series of lyric essays by American poet Claudia Rankine. Citizen stretches the conventions of traditional lyric poetry by interweaving several forms of text and media into a collective portrait of racial relations in the United States. [2]
When Coleridge's Poems on Various Subjects was reviewed, few reviewers paid attention to Lines Written at Shurton Bars. [15] John Aikin, in the June 1796 Monthly Review, states, "The most of [the 'poetical Epistles'], addressed to his 'Sara', is rather an ode, filled with picturesque imagery: of which the follow stanzas [lines 36–60] compose a very striking sea-piece". [16]
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.
Coleridge sent 6 lines of the poem to Robert Southey in a letter that read: [1] "I have written one to Godwin—but the mediocrity of the eight first Lines is most miserably magazinish! I have plucked therefore these scentless Road flowers from the Chaptlet—and intreat thee, thou River God of Pieria, to weave into it the gorgeous Water Lily ...