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The psychology of music, or music psychology, is a branch of psychology, cognitive science, ... From the 1960s the field grew along with cognitive science, ...
Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [21] [22] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [23]
During the 1960s, Beatlemania was the subject of analysis by psychologists and sociologists; a 1997 study recognised the phenomenon as an early demonstration of proto-feminist girl power. [citation needed] The receptions of subsequent pop acts – particularly boy bands and Taylor Swift – have drawn comparisons to Beatlemania.
As the original generation of rock and roll fans matured, the music became an accepted and deeply interwoven thread in popular culture. Beginning in the early 1950s, rock songs began to be used in a few television commercials; within a decade, this practice became widespread, and rock music also featured in film and television program soundtracks.
Free jazz is an approach to jazz music that was first developed in the 1950s and 1960s. Although the music produced by free jazz composers varied widely, the common feature was a dissatisfaction with the limitations of bebop, hard bop, and modal jazz, which had developed in the 1940s and 1950s.
The fabled music festival, seen as one of the seminal cultural events of the 1960s, took place 60 miles (96.5 kilometers) away in Bethel, New York, an even smaller village than Woodstock. An ...
Music has been shown to consistently elicit emotional responses in its listeners, and this relationship between human affect and music has been studied in depth. This includes isolating which specific features of a musical work or performance convey or elicit certain reactions, the nature of the reactions themselves, and how characteristics of the listener may determine which emotions are felt.
His work went on to influence theorists both in and outside music, as well as providing a basis for cognitive psychology research into music and our responses to it. [ 3 ] Meyer's 1967 work "Music, the Arts, and Ideas," was influential in defining the transition to postmodernism in light of new works such as George Rochberg 's Music for the ...