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Solfège. In music, solfège (/ ˈsɒlfɛʒ /, French: [sɔlfɛʒ]) or solfeggio (/ sɒlˈfɛdʒioʊ /; Italian: [solˈfeddʒo]), also called sol-fa, solfa, solfeo, among many names, is a mnemonic used in teaching aural skills, pitch and sight-reading of Western music. Solfège is a form of solmization, though the two terms are sometimes used ...
Chinese musical notation. Chinese Guqin notation, 1425. Systems of musical notation have been in use in China for over two thousand years. Different systems have been used to record music for bells and for the Guqin stringed instrument. More recently a system of numbered notes (Jianpu) has been used, with resemblances to Western notations.
In Chinese mythology, Ling Lun is said to have created bamboo flutes which made the sounds of many birds, including the mythical phoenix. "In this way, Ling Lun invented the five notes of the ancient Chinese five-tone scale (gong, shang, jiao, zhi, and yu, which is equivalent to 1, 2, 3, 5, and 6 in numbered musical notation or do, re, mi, sol, and la in western solfeggio) and the eight sounds ...
Gongche notation or gongchepu is a traditional musical notation method, once popular in ancient China. It uses Chinese characters to represent musical notes. It was named after two of the Chinese characters that were used to represent musical notes, namely "工" gōng and "尺" chě. Sheet music written in this notation is still used for ...
Yuen Ren Chao considered the changed tone 2 to be identical to tone 1, and Cao Wen treated it as tone 1 (before tones 1 or 4) or tone 4 (before tones 2 or 3). [ 21 ] [ 22 ] Both views are generalizations; the exact pitch contour of the changed tone 2 varies between mid-level ˧ in isolated words or at a slower speaking rate, and slightly ...
Historical Chinese phonology deals with reconstructing the sounds of Chinese from the past. As Chinese is written with logographic characters, not alphabetic or syllabary, the methods employed in Historical Chinese phonology differ considerably from those employed in, for example, Indo-European linguistics; reconstruction is more difficult because, unlike Indo-European languages, no phonetic ...
Tâi-lô. Tiō Guân-jīm. Yuen Ren Chao (3 November 1892 – 25 February 1982), also known as Zhao Yuanren, was a Chinese-American linguist, educator, scholar, poet, and composer, who contributed to the modern study of Chinese phonology and grammar. Chao was born and raised in China, then attended university in the United States, where he ...
The high level changed tone is more common for speakers with a high falling tone; for others, mid rising (or its variant realization) is the main changed tone, in which case it only operates on those syllables with a non-high level and non-mid rising tone (i.e. only tones 3, 4, 5 and 6 in Yale and Jyutping romanizations may have changed tones ...