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Seaway Mall gained national attention when a flash mob was filmed singing the Hallelujah Chorus in the food court in November 2010. [8] A video of the event went viral on YouTube , [ 9 ] gaining 14.4 million views in less than a month.
Whether known as hallelujah, alleluia or alleluya, an ancient Hebrew word plays a big role in music, faith and culture. ... In Handel’s great chorus, the word is joyous, victorious, accompanied ...
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah , George Frideric Handel 's well-known oratorio from 1741.
Only once is the chorus divided in an upper chorus and a lower chorus, it is SATB otherwise. The orchestra scoring is simple: oboes, strings and basso continuo of harpsichord, violoncello, violone and bassoon. Two trumpets and timpani highlight selected movements, such as the closing movements of Part II, Hallelujah.
"The 'What's It to Ya' Chorus - 2:37 (parody of Handel's "The Hallelujah Chorus" from The Messiah, with the chorus insisting to the listener to mind one's own business) "Didn't I Get This Last Year?" - 3:22 (parody of "Do You Hear What I Hear" about repeatedly getting unpleasant gifts, if not the same ones, each year.) [7]
The album features Carey's mother Patricia Carey as a guest vocalist on "O Come All Ye Faithful" / "Hallelujah Chorus". The album serves as a sequel to her fourth studio album Merry Christmas (1994). It is composed of original songs and covers, ballads and uptempo tracks, incorporating R&B, soul, and house music in its composition.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
A particular aspect of Handel's restraint is his limited use of trumpets throughout the work. After their introduction in the Part I chorus "Glory to God", apart from the solo in "The trumpet shall sound" they are heard only in Hallelujah and the final chorus "Worthy is the Lamb". [111]