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Syair (Jawi: شعير) is a form of traditional Malay (also subsequently modern Indonesian and Malaysian) poetry that is made up of four-line stanzas or quatrains.The syair can be a narrative poem, a didactic poem, a poem used to convey ideas on religion or philosophy, or even one to describe a historical event.
(Deen) poetry is a very important thing in the Islamic religion because poetry has equality of beauty to the Islamic religion. Also, poetry use in many different languages around the world. Most importantly, poetry, which had once been shunned for representing the ideals of paganism, was brought into the service of Islam.
Chairil Anwar (26 July 1922 – 28 April 1949) was an Indonesian poet and member of the "1945 Generation" of writers.He is estimated to have written 96 works, including 70 individual poems.
Sufism is a mystical interpretation of Islam and it emphasised the allegorical nature of language and writing. Many of the works of Sufi poets appear to be simple ghazal or khamriyyah . Under the guise of the love or wine poem they would contemplate the mortal flesh and attempt to achieve transcendence .
Labīd is the only one of these poets who was still alive by the time Muhammad began preaching the Quran, and later converted to Islam. His Muʻallaqa, however, like almost all his other poetical works, belongs to the pre-Islamic period. He may have lived until 661 or later. [2]
The Revolt of Islam (1818) is a poem in twelve cantos composed by Percy Bysshe Shelley in 1817. [1] The poem was originally published under the title Laon and Cythna; or, The Revolution of the Golden City: A Vision of the Nineteenth Century by Charles and James Ollier in December 1817.
Abu Bakr Muhammad ibn Isa Abd al-Malik ibn Isa ibn Quzman al-Zuhri (Arabic: أبو بكر محمد بن عيسى بن عبدالملك بن عيسى بن قزمان الزهري; 1087–1160) [1] was the single most famous poet in the history of Al-Andalus and he is also considered to be one of its most original. [2]
Anwar first read "Aku" at the Jakarta Cultural Centre in July 1943. [1] It was then printed in Pemandangan under the title "Semangat" ("Spirit"); according to Indonesian literary documentarian HB Jassin, this was to avoid censorship and to better promote the nascent independence movement. [2] "