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Acceptance; Admiration; Affection; Amusement; Anger; Angst; Anguish; Annoyance; Anticipation; Anxiety; Apathy; Arousal; Awe; Belongingness; Boredom; Confidence ...
The English suffixes -phobia, -phobic, -phobe (from Greek φόβος phobos, "fear") occur in technical usage in psychiatry to construct words that describe irrational, abnormal, unwarranted, persistent, or disabling fear as a mental disorder (e.g. agoraphobia), in chemistry to describe chemical aversions (e.g. hydrophobic), in biology to describe organisms that dislike certain conditions (e.g ...
Fear is an unpleasant emotion that arises in response to perceived dangers or threats. Fear causes physiological and psychological changes. It may produce behavioral reactions such as mounting an aggressive response or fleeing the threat, commonly known as the fight-or-flight response. Extreme cases of fear can trigger an immobilized freeze ...
Terrorism, in its broadest sense, is the use of violence against non-combatants to achieve political or ideological aims. [1] The term is used in this regard primarily to refer to intentional violence during peacetime or in the context of war against non-combatants. [2]
Anxiety and fear are psychological responses that have evolved because they help us avoid danger. A mechanism to suppress anxiety and fear, as postulated by TMT, is unlikely to have evolved because it would reduce the chances of survival.
Emotion classification, the means by which one may distinguish or contrast one emotion from another, is a contested issue in emotion research and in affective science. ...
An analysis of 73 different definitions in 2004 came up with only five common elements, which excluded any reference to victims, fear/terror, motive, non-combatant targets or the criminal nature of the tactics used. [9] Historically, the dispute on the meaning of terrorism arose since the laws of war were first codified in 1899.
Powers of Horror: An Essay on Abjection (French: Pouvoirs de l'horreur. Essai sur l'abjection) is a 1980 book by Julia Kristeva.The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile ...