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The String Quartet No. 2 by Charles Ives is a work for string quartet written between 1907 and 1913. [1] It was premiered at McMillin Theatre, Columbia University in New York City on 11 May 1946, by a Juilliard School student ensemble. [ 2 ]
The String Quartet No. 2 in B ♭ major, B. 17, was probably composed by Antonín Dvořák in 1869, early in his compositional career. It was one of three (together with Nos. 3 , and 4 ) which Dvořák later believed he had destroyed after he had disposed of the scores.
The String Quartet No. 2 in A minor, Op. 13, was composed by Felix Mendelssohn in 1827. [1] Written when he was 18 years old, it was, despite its official number, Mendelssohn's first mature string quartet. One of Mendelssohn's most passionate works, the A minor Quartet is one of the earliest and most significant examples of cyclic form in music.
Potpourri No. 1 for Violin & String Trio, Op. 5 (1832) Theme and Variations for String Quartet, Op. 6; Violin Concerto No. 3 in C major, Op. 7 (1805) Theme and Variations for String Quartet, Op. 8; 2 Concertant Duos for 2 Violins, Op. 9 (1808) Violin Concerto No. 4 in B minor, Op. 10 (1805) Allegro moderato; Adagio; Rondo. Allegretto
String Quartet No. 1 in E; String Quartet No. 2 in B flat (1902) String Quartet No. 3 (in E flat (1917) String Trio No. 1; String Trio No. 2; Suite in F for clarinet (or viola) and piano (1899) [35] Trio for two clarinets and bassoon (or bass clarinet) Trio in D for clarinet (or violin), horn (or bassoon) and piano (published Rosewood, 2000)
The quartet is considerably influenced by the music of European avant-garde composers who were gaining celebrity at this time, particularly Pierre Boulez's Le Marteau sans maître. This is a much more fragmentary piece than his earlier quartet (1951): the four instruments play very individual roles and unpredictably bounce off one another.
Of the Op. 18 string quartets, this one is the most grounded in 18th-century musical tradition. [1] According to Michael Steinberg, "In German-speaking countries, the graceful curve of the first violin's opening phrase has earned the work the nickname of Komplimentier-Quartett, which might be translated as 'quartet of bows and curtseys'." [2]
The String Quartet: A History. Thames and Hudson. ISBN 0-500-27383-9. Griffiths, Paul: "String Quartet: §§5–9", in: The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001). Scholes, Percy A. (1938). The Oxford Companion to Music. Oxford University Press.
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