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Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Rauschenberg’s ‘Caryatid Cavalcade I’ from Roci Chile, 1985 (silkscreen ink, acrylic, and graphite on canvas) is part of the new exhibition exhibition (Eva Herzog/Thaddaeus Ropac Gallery)
Monogram is a Combine by American artist Robert Rauschenberg, made between 1955 and 1959. [1] It consists of a stuffed Angora goat with its midsection passing through an automobile tire . [ 2 ] Critic Jorg von Uthmann described it as Rauschenberg's most famous work in the Huffington Post. [ 3 ]
So-called "prosumers" [69] —those consuming and producing at the same time—browse through the ubiquitous archive of the digital world (more seldom through the analog one), in order to sample the ever accessible images, words, and sounds via 'copy-paste' or 'drag-drop' to 'bootleg', 'mashup' or 'remix' them just as one likes.
Reservoir is a 1961 painting by American artist Robert Rauschenberg. [1] The work is one of his Combines, which incorporate both two- and three-dimensional found, non-art materials, using objects Rauschenberg collected from the streets of his lower Manhattan neighborhood. [2]
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