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Long leg cast for tibial fracture. A long leg cast extends from the upper thigh to the toes, immobilizing the knee joint as well as the lower leg and ankle. It is typically used for injuries requiring stabilization across multiple joints, such as tibial or fibular fractures, severe knee injuries, or post-surgical recovery.
The cast is molded to contour around the heel while abducting the forefoot against counter pressure on the lateral aspect of the head of the talus. The knee is flexed to 90° for the long leg component of the cast. The parents can soak these casts for 30–45 minutes prior to removal with a plaster knife.
Spica casts are used for treating hip dysplasia (developmental dislocation of hip). [1] [2] Spica casts are typically made using a soft padded lining, which tightly wrapped around the leg and hip joint. It is then wrapped in either a fiberglass or plaster cast. Fiberglass is generally preferred, as it is stronger than plaster and significantly ...
However, plaster of Paris casts take too long to fully dry and limits patient mobility for up to 74 hours — if the patient walks on the cast during this time, the shape will change, and the cast will not protect the foot and wound correctly. [10] Fiberglass casts were introduced in the 1980s or 1990s.
The idea of using plaster of Paris was adopted and refined over the years and is still in use today by the medical profession. [10] When she completed her studies, Acheson taught at a school in London and continued to live in that city. She was the first woman, in 1938, to be elected a fellow of the Royal British Society of Sculptors. [11]
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Wilson's left leg was the model for a 35-ft (sometimes referred to as 34-ft), two-ton sculpture outside the Theme Hosiery (later Sanderson Hoisery) plant on Olympic and Barrington in West Los Angeles. The DuPont Co. commissioned the plaster leg, which was painted as if to be wearing nylons, to promote its new nylons product.
Caroline Eichler was born in 1808 or 1809, presumably in Nordhausen [1] or Berlin, as the third daughter of painter Johann Gottlieb Eichler.In those days, young women were usually denied higher education opportunities or apprenticeships, and although no documentation has been found describing her schooling, her work demonstrates a knowledge of physics and technical mechanics.