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In music, polymodal chromaticism is the use of any and all musical modes sharing the same tonic simultaneously or in succession and thus creating a texture involving all twelve notes of the chromatic scale (total chromatic). Alternately it is the free alteration of the other notes in a mode once its tonic has been established. [1]
The term polychromatic means having several colors. It is used to describe light that exhibits more than one color , which also means that it contains radiation of more than one wavelength . The study of polychromatics is particularly useful in the production of diffraction gratings .
In medieval music theory, the terms color and coloration are used in four distinct senses, two of which relate to the notation and structuring of note durations, the third to florid ornamentation, and the fourth to the quality of chromatic music.
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
The four pigments in a bird's cone cells (in this example, estrildid finches) extend the range of color vision into the ultraviolet. [1]Tetrachromacy (from Greek tetra, meaning "four" and chroma, meaning "color") is the condition of possessing four independent channels for conveying color information, or possessing four types of cone cell in the eye.
Polychromatic symmetry is a colour symmetry which interchanges three or more colours in a symmetrical pattern. It is a natural extension of dichromatic symmetry . The coloured symmetry groups are derived by adding to the position coordinates ( x and y in two dimensions, x , y and z in three dimensions) an extra coordinate, k , which takes three ...
Sarah Kraning has loved music and painting ever since she was a little girl. Around 8 years old, Kraning realized that something was different with her, as she could see music and sounds
A keyboard depicting note-color associations. The colors are experienced with the sounding of the note, and are not necessarily localized to piano keys. Chromesthesia or sound-to-color synesthesia is a type of synesthesia in which sound involuntarily evokes an experience of color, shape, and movement.