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The surviving autograph manuscript of the sonatas and partitas was made by Bach in 1720 in Köthen, where he was Kapellmeister.As Christoph Wolff comments, the paucity of sources for instrumental compositions prior to Bach's period in Leipzig makes it difficult to establish a precise chronology; nevertheless, a copy made by the Weimar organist Johann Gottfried Walther in 1714 of the Fugue in G ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
BWV 1020 – Sonata in G minor for violin (or flute) and harpsichord (now attributed to Carl Philipp Emanuel Bach – H 542.5) [3] BWV 1021 – Sonata in G major for violin and basso continuo; BWV 1022 – Sonata in F major for violin and harpsichord (doubtful, possibly by C. P. E. Bach) [3] BWV 1023 – Sonata in E minor for violin and basso ...
The dating of BWV 1027–1028 is explained in detail by Jones (2013) in his analysis of Bach's instrumental works, including his flute sonata in E major , the triple concerto in A minor for flute, violin and harpsichord and the trio sonata for flute, violin and continuo from The Musical Offering (BWV 1079). [3]
W A6 \ Keyboard Sonata Op. 5 No.6 in C minor W A7 \ Keyboard Sonata Op. 17 No.1 in G major W A8a \ Keyboard Sonata Op. 17 No.2 in C minor W A8b \ Keyboard Sonata in C minor W A9a \ Keyboard Sonata Op. 17 No.3 in E-flat major W A9b \ Keyboard Sonata in E-flat major W A10a \ Keyboard Sonata Op. 17 No.4 in G major W A10b \ Keyboard Sonata in G ...
Bach extracted the second movement from his Sonata No. 1 in G minor for solo violin, BWV 1001, written in 1720, and rewrote it; it is not clear that it was intended for the lute. [2] No definitive manuscript version exists today, although there is a contemporary copy in tablature, possibly made by Bach's lutenist friend, Christian Weyrauch.
The Minuets in G major and G minor, BWV Anh. 114 and 115, are a pair of movements from a suite for harpsichord by Christian Petzold, which, through their appearance in the 1725 Notebook for Anna Magdalena Bach, used to be attributed to Johann Sebastian Bach.
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