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The peyote stitch, also known as the gourd stitch, is an off-loom bead weaving technique. Peyote stitch may be worked with either an even or an odd number of beads per row. Both even and odd count peyote pieces can be woven as flat strips, in a flat round shape, or as a tube. Tubular peyote is used to make pouches or to decorate objects such as ...
herringbone stitch, also known as Ndebele stitch; hubble stitch and wave hubble stitch, created and developed by Melanie de Miguel, published 2015 [4] [5] [6] netting, to avoid confusion specifically bead netting; peyote stitch, also known as gourd stitch; plaiting, crossing multiple threads as in a plait or braid, using beads to connect the ...
It is a relative of another off-loom technique called peyote stitch or gourd stitch. [2] A brick stitch pattern can be worked as a peyote stitch pattern if turned through 90 degrees. Brick stitch is different from other stitches in bead weaving as the beads are attached to the thread in between the beads, not to the last bead added, as in other ...
[1] [2] Most have religious significance and many are influenced by visions which occur during peyote rituals. [ 1 ] [ 2 ] [ 10 ] Much of what is known about Huichol designs and symbols was put together by Norwegian explorer and ethnographer Carl Lumholtz in the late 19th century, but Huichol art and decoration has since become more varied.
Peyote gourd rattle – a gourd rattle made of wood (beaded and non-beaded), raw gourd shell, and sea stones used to sing peyote songs throughout the service. The wood is usually strong, hard-wood like Gabon ebony and Bodark to produce the appropriate tune for the rattle.
Stitch is an umbrella term regarding the specific types of kandi; the three most common stitches are multistitch (even tubular peyote stitch), flat peyote stitch (even and odd), and x base. [3] Cuffs are any form of kandi bracelet that uses multiple rows of beads. [3]
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Two principal techniques are used to produce seed beads: the wound method and the drawn method. The wound method is the more-traditional technique, is more time-consuming, and is no longer used in modern bead production: in this technique, a chunk of glass known in glassmaking as a gather and composed mainly of silica is heated on an iron bar until molten.