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Hedonic adaptation is an event or mechanism that reduces the affective impact of substantial emotional events. Generally, hedonic adaptation involves a happiness "set point", whereby humans generally maintain a constant level of happiness throughout their lives, despite events that occur in their environment.
The Way to Happiness Foundation International is a non-profit 501(c)(3), [2] incorporated in 1984. [3] Headquartered at 201 East Broadway, Glendale, California, the foundation coordinates the activities of the Way to Happiness international network, including continental and national officies, associates and local groups. [4]
Happiness is often imprecisely equated with pleasure. If, for whatever reason, one does equate happiness with pleasure, then the paradox of hedonism arises. When one aims solely towards pleasure itself, one's aim is frustrated. Henry Sidgwick comments on such frustration after a discussion of self-love in the above-mentioned work:
Three major narrative traps are identified: 1) reaching (more happiness is achieved with greater income, a marker of success and intellectual validation), 2) related (people ought to have a monogamous marriage and have kids), and 3) responsible (to act altruistically with a pure selfless motive; to prioritize good health and to act with free ...
The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom is a 2006 book written by American social psychologist Jonathan Haidt.In it, Haidt poses several "Great Ideas" on happiness espoused by thinkers of the past—such as Plato, Buddha and Jesus—and examines them in the light of contemporary psychological research, extracting from them any lessons that still apply to our modern lives.
On a hot summer day in 1963, more than 200,000 demonstrators calling for civil rights joined Dr. Martin Luther King Jr. for the March on Washington for Jobs and Freedom.
Miriam Henderson, the central character in the Pilgrimage novel sequence, is based on the author's own life between 1891 and 1915. [3] Pilgrimage was read as a work of fiction and "its critics did not suspect that its content was a reshaping of DMR's own experience", nor that it was a roman à clef.
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