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Label for 2.0 sound (stereo) In common usage, a "stereo" is a two-channel sound reproduction system, and a "stereo recording" is a two-channel recording. This is cause for much confusion, since five (or more)-channel home theater systems are not popularly described as "stereo", but instead as "surround". [clarification needed (see talk)]
A four channel quadraphonic diagram showing the usual placement of speakers around the listener. Quadraphonic (or quadrophonic, also called quadrasonic or by the neologism quadio [1] [formed by analogy with "stereo"]) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space.
The 8-track tape (formally Stereo 8; commonly called eight-track cartridge, eight-track tape, and eight-track) is a magnetic-tape sound recording technology that was popular [2] from the mid-1960s until the early 1980s, when the compact cassette, which pre-dated the 8-track system, surpassed it in popularity for pre-recorded music.
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
DASH is capable of recording two channels of audio on a quarter-inch tape, and 24 or 48 tracks on 1 ⁄ 2-inch-wide (13 mm) tape [1] [2] [3] on open reels of up to 14 inches. The data is recorded on the tape linearly, [ 4 ] with a stationary recording head , [ 5 ] as opposed to the DAT format, where data is recorded helically with a rotating ...
A major breakthrough in practical stereo sound was made by Bell Laboratories, who in 1937 demonstrated a practical system of two-channel stereo, using dual optical sound tracks on film. [28] Major movie studios quickly developed three-track and four-track sound systems, and the first stereo sound recording for a commercial film was made by Judy ...
Dolby Digital 3/2 – 5-channel surround (left, center, right, left surround, right surround) These configurations optionally include the extra low-frequency effects (LFE) channel, but only if at least three channels are present. [39] The last two with stereo surrounds can optionally use Dolby Digital EX matrix encoding to add an extra Rear ...
The reference CrO 2 tape, approved by the IEC in 1981, is characterized by coercivity of 490 Oe (high bias) and remanence of 1650 G. [55] [48] Retail CrO 2 cassettes had coercivity in the range from 400 to 550 Oe. [56] Owing to the very 'clean', uniform shape of the particles, chrome tapes easily attain an almost perfect squareness ratio of 0.90.
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