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Patuxai (Lao: ປະຕູໄຊ, pronounced [pā.tùː sáj] ; literally Victory Gate or Gate of Triumph, formerly the Anousavary or Anosavari Monument, known by the French as Monument Aux Morts) is a war monument in Downtown Vientiane, Laos, built between 1957 and 1968. The Patuxai was dedicated to those who fought in the struggle for ...
Laotian mor lam (also spelled maw lam), though usually called simply lam in Laos (Lao: ລຳ) is considered purer and more traditional than the forms found in Thailand. It often features the khaen (Lao: ແຄນ) (bamboo and reed mouth organ) and jousting pairs of singers, backed by colorful troupes, who improvise stories and courting duels ...
The Dai people are closely related to the Shan, Lao and Thai people who form a majority in Laos and Thailand, and a large minority in Myanmar. Originally, the Tai , or Dai, lived closely together in modern Yunnan Province until political chaos and wars in the north at the end of the Tang and Song dynasty and various nomadic peoples prompted ...
[2] Lao Loum houses are built on wooden piles with the floor from one to two-and one-half meters above the ground. This style keeps the living area above the mud of the rainy season, provides a shady area under the house to work or rest during the day, and allows the house to catch breezes for natural cooling.
Mor lam (Lao: ໝໍລຳ; Isan: หมอลำ [mɔ̌ː lám]; Thai: หมอลำ, RTGS: mo lam, [mɔ̌ː lām]) is a traditional Lao form of song in Laos and Isan. Mor lam means 'expert song', or 'expert singer', referring to the music or artist respectively. Other romanisations used include mor lum, maw lam, maw lum, moh lam, mhor lum ...
"Pheng Xat Lao" (Lao: ເພງຊາດລາວ [pʰeŋ saːt laːw], "Song of the Lao People") is the national anthem of the Lao People's Democratic Republic. It was written and composed in 1941 by Thongdy Sounthonevichit. It was adopted as the national anthem of the Kingdom of Laos in 1945.
The Khene (Lao: ແຄນ) is the instrument most identified with Laotian music.A national proverb says that "a person living under a stilted house, eating sticky rice, listening to any music related to Lam (Lao: ລຳ) or Morlam, and playing the Khene is likely to be Lao or associated with Lao people."
The importance of Phra Lak Phra Ram to Lao culture can be seen in how ubiquitous it is. It is a mainstay of dance and drama, song, painting, sculpture, religious texts, and manuscripts. It is also seen in the more common arts, such as classical morlam, folklore, and village dances. [14]