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Humphrey Bogart (1899–1957) [1] [2] was an American actor and producer whose 36-year career began with live stage productions in New York in 1920. He had been born into an affluent family in New York's Upper West Side, [3] the first-born child and only son of illustrator Maud Humphrey and physician Belmont DeForest Bogart. [1]
Humphrey DeForest Bogart (/ ˈ b oʊ ɡ ɑːr t / BOH-gart; [1] December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American actor.His performances in classic Hollywood cinema made him an American cultural icon. [2]
In a Lonely Place is a 1950 American film noir directed by Nicholas Ray [2] and starring Humphrey Bogart and Gloria Grahame, produced for Bogart's Santana Productions.The script was written by Andrew P. Solt from Edmund H. North's adaptation of Dorothy B. Hughes' 1947 novel of the same name.
The Harder They Fall is a 1956 American boxing film noir directed by Mark Robson, produced and written by Philip Yordan, based on Budd Schulberg's 1947 novel. It was Humphrey Bogart's final film role. [citation needed] It received an Oscar nomination for Best Cinematography, Black and White, for Burnett Guffey at the 29th Academy Awards.
Knock on Any Door is a 1949 American courtroom trial film noir directed by Nicholas Ray and starring Humphrey Bogart. The movie was based on the 1947 novel of the same name by Willard Motley. The picture gave actor John Derek his breakthrough role as young hoodlum Nick Romano, whose motto was "Live fast, die young, and have a good-looking corpse."
Lauren Bacall and Humphrey Bogart make their arrival circa 1955. The two were among the biggest Hollywood stars of their day before Bogart died in 1957 at age 57.
Along with beloved historical figures, the list also called for statues of several actors from class films, like Lauren Bacall and Humphrey Bogart; Todd Beamer, a passenger on American Airlines ...
The Two Mrs. Carrolls is a 1947 American mystery film noir directed by Peter Godfrey and starring Humphrey Bogart, Barbara Stanwyck, and Alexis Smith.It was produced by Mark Hellinger from a screenplay by Thomas Job, based on the 1935 play of the same name by Martin Vale [3] (a pseudonym of Marguerite Vale Veiller).
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