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Sriranjani is a ragam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (shadava rāgam, which means "of six"). It is a derived scale (janya rāgam), as it does not have all the seven swaras (musical notes). It is also written as Shri ranjani or Shree Ranjani. It also exist in Hindustani music, with a ...
Salagam scale with shadjam at C. It is the 1st rāgam in the 7th chakra Rishi.The mnemonic name is Rishi-Pa.The mnemonic phrase is sa ra ga mi pa dha na. [2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Simhendramadhyamam scale with shadjam at C. It is the 3rd rāgam in the 10th chakra Disi.The mnemonic name is Disi-Go.The mnemonic phrase is sa ri gi mi pa dha nu. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Natabhairavi scale with shadjam at C. It is the 2nd rāgam in the 4th chakra Veda.The mnemonic name is Veda-Sri.The mnemonic phrase is sa ri gi ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used):
Shri ragam is an ancient ragam in the Carnatic tradition. It is also written as Sri or Sreerag. [1] This scale does not have all the seven swaras (musical notes) in the ascending scale. [1] Shree is the asampurna melakartha equivalent of Kharaharapriya, the 22nd Melakarta rāgam. [1] [2] It is the last of the 5 Ghana rāgams of Carnatic music. [1]
Vakulabharanam scale with shadjam at C. It is the 2nd rāgam in the 3rd chakra Agni.The mnemonic name is Agni-Sri.The mnemonic phrase is sa ri ga ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. . Varnams capture the essence of the ragam in terms of typical swara patterns used, vishesha prayogas, highlighting the main notes (jeeva swaras), e
Anandabhairavi ragam is also a bhashanga rāgam, since it uses more than one anya swaram. Anya swaram of a rāgam is the swaram which does not belong to the arohana or avarohana of its melakarta (parent rāgam), but it is sung in prayogams (phrases used in raga alapana , kalpanaswarams ).