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Javanese dance (Indonesian: Tarian Jawa; Javanese: ꧋ꦠꦫꦶꦗꦮ, romanized: Beksan Jawa) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined.
Ronggeng (from Kawi roṅgeṅ 'female dancer'; [1] Javanese: ꦫꦺꦴꦁꦒꦺꦁ, ronggèng; Balinese: ᬭᭀᬂᬕᬾᬂ, ronggéng) is a type of Java-origin cultural dance, invented by the Javanese people—the indigenous of the Central and Eastern Java regions.
Bambangan Cakil (Javanese: ꧋ꦧꦩ꧀ꦧꦔꦤ꧀ꦕꦏꦶꦭ꧀) is a classical dance-drama [1] of the Javanese people in—particularly—Central Java, Indonesia. [2] This dance-drama demonstrates wayang performance due to the movement is adopted from one of the scenes in wayang kulit performance, that is the Perang Kembang scene. [3]
Gandrung dance performance in Balinese manuscripts. A collection of the University of Leiden, Netherlands. Gandrung derives its name from the Javanese word for "love". [1] It is theorized that the dance originated as a ritual dance to express the people's affection for the rice goddess Dewi Sri, [4] with trance and as a kind of fertility dance. [5]
Dance in Indonesia (Indonesian: Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 600 ethnic groups in Indonesia. [1] [2] Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has ...
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) (Javanese: ꦧꦼꦝꦪ, romanized: Bedhaya) is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Reog or Réyog (Javanese: ꦫꦺꦪꦺꦴꦒ꧀) is a traditional Indonesian dance in an open arena that serves as folk entertainment and contains some magical elements. The main dancer is a lion-headed person with a peacock feather decoration, accompanied by several masked dancers and Kuda Lumping.
This dance conveys significant notions: jurit translates to "soldier", garwa ampil refers to "concubine" (of Mangkunegara I), and warastra means "bow and arrow". [1] In general, the dance depicts the troops of Mangkunegara I's concubines during the Salatiga Treaty, [a] enacted on 17 March 1757.