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The dark triad is a psychological theory of personality, first published by Delroy L. Paulhus and Kevin M. Williams in 2002, [1] that describes three notably offensive, but non-pathological personality types: Machiavellianism, sub-clinical narcissism, and sub-clinical psychopathy.
Since it allowed for the study of gloomy ideas, writing, and topics, Dark Romanticism had a huge effect on American literature. Dark Romanticism began as a response to the Transcendental movement of the mid-nineteenth century. This was a mental shift in thinking from rigid religious Puritan thought to a dark, immoral point of view. People were ...
The Dark Tower series: Stephen King: 1978–2012 [51] Dr. Hannibal Lecter: Red Dragon: Thomas Harris: 1981 [9] Roland Deschain: The Dark Tower series: Stephen King: 1982–2012 [9] Francis “Frank” Cauldhame The Wasp Factory: Iain Banks: 1984 [14] Dr. Hannibal Lecter: The Silence of the Lambs: Thomas Harris: 1988 [9] Geralt of Rivia: The ...
Machiavellianism is one of the traits in the dark triad model, along with psychopathy and narcissism. In the field of personality psychology, Machiavellianism (sometimes abbreviated as MACH) is the name of a personality trait construct characterized by interpersonal manipulation, indifference to morality, lack of empathy, and a calculated focus on self-interest.
Signs of a Dark Triad Personality . Dark triads can be a paradox, says Phoenix Adams, D.S.W., L.C.S.W., executive vice president of Florida programming for Caron Treatment Centers. On one hand ...
Anthony Perkins as Norman Bates (), a notable psychopathic character from fiction. Fictional portrayals of psychopaths, or sociopaths, are some of the most notorious in film and literature but may only vaguely or partly relate to the concept of psychopathy, which is itself used with varying definitions by mental health professionals, criminologists and others.
Several attempts to define the neologism [3] grimdark have been made: . Adam Roberts described it as fiction "where nobody is honourable and Might is Right", and as "the standard way of referring to fantasies that turn their backs on the more uplifting, Pre-Raphaelite visions of idealized medievaliana, and instead stress how nasty, brutish, short and, er, dark life back then 'really' was".
Horror-of-personality is a specific sub-category of horror and thriller genres; as opposed to excessive violence or the presence of malevolent supernatural beings, such stories evoke horror and/or suspense through villains who are perfectly human, but possess horrific personalities. [1]