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The fallacy of accent (also known as accentus, from its Latin denomination, and misleading accent [1]) is a verbal fallacy that reasons from two different vocal readings of the same written words. In English, the fallacy typically relies on prosodic stress , the emphasis given to a word within a phrase, or a phrase within a sentence.
For example, prosody is responsible for verbal variations in interrogative versus declarative statements and serious versus sarcastic remarks. Linguistic dysprosody refers to the diminished ability to verbally convey aspects of sentence structure, such as placing stress on certain words for emphasis or using patterns of intonation to reveal the ...
An example of lexical prosody would be "CONvert" versus "conVERT". Phrasal prosody: aprosodia affecting certain stressed words. Deficits in the left hemisphere affect this linguistic rule. An example of phrasal prosody would be a "Hot DOG", a dog that’s hot, versus a "HOT dog", a frankfurter.
Some emotion-prosody mappings are nearly universal in nature, such as the expressions of pain, and others more language-specific, such the expressions of envy or remorse. Sociolinguistically, English prosody varies significantly across dialects, and prosody is important in constructing social identities, including gender identies and social roles.
Naturalistic fallacy fallacy is a type of argument from fallacy. Straw man fallacy – refuting an argument different from the one actually under discussion, while not recognizing or acknowledging the distinction. [110] Texas sharpshooter fallacy – improperly asserting a cause to explain a cluster of data. [111]
Schmidt takes, for example, an adjective such as 'complete' and shows that it is used with the normal accent on the second syllable in lines such as: He is complete in feature and in mind (Gent. ii 4.73) And then proceeds to find numerous examples where the stress is changed according to the rule, thus: A maid of grace and complete majesty.
The “accent,” according to Eliza Jane Schneider, a dialectologist and CEO of Vox Pop Entertainment and Competitive Edge Voice Training, is a matter of musicality, that is the “musical ...
An example given by John Sinclair is the verb set in, which has a negative prosody: e.g. rot (with negative associations) is a prime example of what is going to 'set in'. [1] Another well-known example is the verb sense of cause , which is also used mostly in a negative context (accident, catastrophe, etc.), [ 2 ] though one can also say that ...