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A (E major) → B (C major) → A (F major) → C (D minor) → A (E major) Schubert also composes brief transitions at the ends of each episode—that between the B section and the medial A section features a small amount of the B section's material in F major (the medial A section's key), while that between the C section and the final A ...
Twenty-four extant sonatas and sonata fragments are listed in the 1978 version of the Deutsch catalogue: D 154, Piano Sonata in E major (1815, fragment; similarity with the first movement of the Piano Sonata in E major, D 157) I. Allegro (fragment) D 157, Piano Sonata in E major (1815, unfinished – first three movements are extant)
Piano Sonata in E minor, D 566; first published as Op. posth. 145 No. 2) D 537, Piano Sonata in A minor (1817, first published as Op. posth. 164) D 557, Piano Sonata in A ♭ major (1817) D 566, Piano Sonata in E minor (1817, unfinished? – first three movements are extant; the Rondo in E major, D 506 may be the fourth movement)
Legend to the table column content 1 D '51 Deutsch number in the first version of the Deutsch catalogue (1951) [2]: 2 D utd most recent (utd = up to date) Deutsch catalogue number; [3] the basic collation of the list is according to these numbers – whether or not the possibility to adjust the sorting according to the content of other columns is available depends on the device with which the ...
In music, the three-key exposition is a particular kind of exposition used in sonata form. Normally, a sonata form exposition has two main key areas. The first asserts the primary key of the piece, that is, the tonic. The second section moves to a different key, establishes that key firmly, arriving ultimately at a cadence in that key.
Piano Sonata in E major, D 459 (Schubert) Piano Sonata in A minor, D 537 (Schubert) Piano Sonata in A-flat major, D 557 (Schubert) Piano Sonata in E minor, D 566 (Schubert) Piano Sonata in D-flat major, D 568 (Schubert) Piano Sonata in F-sharp minor, D 571 (Schubert) Piano Sonata in B major, D 575 (Schubert) Piano Sonata in F minor, D 625 ...
D. Scarlatti – Keyboard Sonata K. 206 (L. 257) in E [23] D. Scarlatti – Keyboard Sonata K. 297 (L.S. 19) in F [22]: 166 Scriabin – Mazurka in F (1889) Schubert – Impromptu Op. 90 No. 2 in E ♭ [24] Schubert – Moment Musical No. 6 in A ♭ (ends on an open octave in an A ♭ minor context) [25] Schubert – Am Bach im Frühling, D ...
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...