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A great deal of writing has been done on the subject. The subject of the Ideal Woman has been treated humorously, [9] [10] theologically, [11] and musically. [12] Examples of "ideal women" are portrayed in literature, for example: Sophie, a character in Jean-Jacques Rousseau's Emile: or, On Education (book V) who is raised to be the perfect ...
Katherine Hoover (1937–2018) studied music at the University of Rochester and the Eastman School of Music, where she earned a Performance Certificate in Flute and a Bachelor's of Music in Music Theory in 1959. [53] She started publishing professional works in 1965, with her Duet for Two Violins.
The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. [1] His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien (New Musical Theories and Phantasies), which included Harmony (1906), Counterpoint (1910 ...
Schenker intended his theory as an exegesis of musical "genius" or the "masterwork", ideas that were closely tied to German nationalism and monarchism. [5] The canon represented in his analytical work therefore is almost entirely made up of German music of the common practice period (especially that of Johann Sebastian Bach, Carl Philipp Emanuel Bach, Joseph Haydn, Wolfgang Amadeus Mozart ...
The model posited that femininity and masculinity were innate and enduring qualities, not easily measured, opposite to one another, and that imbalances between them led to mental disorders. [ 17 ] Alongside the women's movement of the 1970s, researchers began to move away from the M–F model, developing an interest in androgyny . [ 17 ]
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
The ideal woman was expected to act as a status symbol for men and reflect her husband's wealth and success, and was to create babies and care for them so that her husband's legacy of success would continue, but she was also seen as the "Angel in the House" whose purpose was to guide her family morally. Because of the perceived importance of ...