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The empire silhouette was defined by the waistline, which was positioned directly under the bust. The Empire silhouette was the key style in women's clothing during the Regency era. The dresses were usually light, long, and fit loosely, they were usually in white and often sheer from the ankle to just below the bodice which strongly emphasized ...
Portrait of Thérésa Tallien by Jean-Bernard Duvivier (1806) with Empire waist Brooklyn Museum. Empire silhouette, Empire line, Empire waist or just Empire is a style in clothing in which the dress has a fitted bodice ending just below the bust, giving a high-waisted appearance, and a gathered skirt which is long and loosely fitting but skims the body rather than being supported by voluminous ...
The shoulders were broad and the coat stood off the chest, yet was snug at the waist. Coats also were padded at the chest and waist. The collars and lapels were also padded in order to stiffen them. [8] The collars were high and shawl-like in order to frame the face. Coats were cut straight across the waist. Waistcoats were buttoned high on the ...
Free-hanging pockets were tied around the waist and were accessed through pocket slits in the side-seams of the gown or petticoat. Woolen or quilted waistcoats were worn over the stays or corset and under the gown for warmth, as were petticoats quilted with wool batting, especially in the cold climates of Northern Europe and America.
Also known as the Basque waistline or the Antebellum waistline. U-shaped : A softer, less pronounced version of the Basque waistline. Inverted V-shaped : Starts high in the center and drops at the sides and can fall as high as the bustline (e.g., paired with a low V neckline to give a "bowtie" look), but usually found near the hips (e.g ...
The final ensemble, Look 42, comprised a red satin coat worn over a bejewelled gown in ivory silk, accessorised with an egg-shaped purse in red leather that McQueen termed the "Empire" bag. [ 47 ] [ 55 ] The bag was decorated with gilt, copper alloy, and Swarovski crystals, and may have been inspired by the jewelled Fabergé eggs made for the ...
Women's everyday wear was şalvar (trousers), a gömlek (chemise) that came down to mid-calf or ankle, a short, fitted jacket called a zıbın, and a sash or belt tied at or just below the waist. For formal occasions, such as visiting friends, the woman added an entari or kaftan, a long robe that was cut like the zıbın apart from the length.
Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train. The neckline was square and might reveal the kirtle ...
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