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Uli (Uri) are the curvilinear traditional designs drawn by the Igbo people of southeastern Nigeria. These designs are generally abstract, consisting of linear forms and geometric shapes, though there are some representational elements. Traditionally, these are either stained onto the body or painted onto the sides of buildings as murals. [1]
The Native Americans of California have used different mediums and forms for their traditional designs found in artifacts that express their history and culture. Some traditional art forms and archaeological evidence include basketry, painted pictographs and petroglyphs found on the walls in the caves, and effigy figurines.
A girl wearing mekhela sador dress Traditional Assamese motifs on a Mekhela Sadar fabric On display, a hand-woven mekhela chador in pat silk depicting an exquisite pattern of wildlife in Kaziranga Mekhela Sador is a traditional attire worn by women from Assam .
Huishan clay figurine (Chinese: 惠山泥人; pinyin: Huìshān ní rén) is a traditional Chinese folk art in Wuxi, Jiangsu Province, China, with a history of more than 400 years. [ 1 ] [ 2 ] The production of Wuxi Huishan clay figurines began at the end of the Ming dynasty and developed in the Qing dynasty with specialized Huishan clay ...
Chowk-poorana mud wall art in Punjab is given shape by the peasant women of the state. In courtyards, this art is drawn using a piece cloth. The art includes drawing tree motifs, flowers, ferns, creepers, plants, peacocks, palanquins, geometric patterns along with vertical, horizontal and oblique lines. These arts add to the festive atmosphere. [5]
Antique nihongami katsura (wig) in a display case. The yuiwata hairstyle. Many hairstyles now labelled nihongami were developed during the Edo period, when a preference amongst women for long, flowing hairstyles transitioned towards more elaborate, upswept styles, featuring buns at the back of the neck and 'wings' at either side of the head.
The customs of applying early prototypes of the huadian can be traced back to the Pre-Qin period; [10] for examples, female figurines unearthed from the tomb of Chu dating to the Warring States period in Changsha, Hunan province, have decorative shapes or patterns painted on their face, which shows that the prototypes of the huadian already ...
The patterns were tonal and painted with the women's fingers. The original paint on the house was a limestone whitewash. The colors added to make the paintings were mostly natural pigments consisting of browns, blacks, and others. Most of the patterns were of a V shape and a very simple triangle on a large shape color.
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