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Lewis's Milton hearkens back to the attempts of Bentley and Johnson to separate the private radical, heterodox, and "wild" man from the putatively orthodox achievement of the poem. To the extent that Lewis attacks, like Eliot, "personality," he is attacking a Milton attached to "revolutionary politics, antinomian ethics, and the worship of Man ...
Granary Books is an independent small press and rare books and archives dealer based in New York City. Owned and directed by Steve Clay, Granary has published hundreds of books that "produce, promote, document, and theorize new works exploring the intersection of word, image, and page."
Sand dollars diverged from the other irregular echinoids, namely the cassiduloids, during the early Jurassic, [5] with the first true sand dollar genus, Togocyamus, arising during the Paleocene. Soon after Togocyamus, more modern-looking groups emerged during the Eocene. [1] Sand dollars are small in size, averaging from 80 to 100 mm (3 to 4 ...
The tests (shells) of these sand dollars are round, flat and disc-like, typically measuring 3 inches (7.6 cm) in diameter. The growth rate for this animal is between 3.5 and 6 mm/yr in the latter 5 years of their lifespan, and the lifespan is typically around 8 years. [ 2 ]
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However, the references to light and darkness in the poem make it virtually certain that Milton's blindness was at least a secondary theme. The sonnet is in the Petrarchan form, with the rhyme scheme a b b a a b b a c d e c d e but adheres to the Miltonic conception of the form, with a greater usage of enjambment.
Footprints on Sand: a Literary Sampler is a 1981 collection of writings by science fiction authors L. Sprague de Camp and Catherine Crook de Camp, illustrated by C. H. Burnett, published by Advent. The collection was compiled to celebrate the de Camps' appearance as joint Guests of Honor at the June 12–14, 1981 X-Con science fiction ...
The poem consists of nine stanzas, each of six lines. Each stanza contains alternating lines of iambic tetrameter and iambic trimeter, with the trimetric lines rhyming with each other. Each verse is scattered around the novel Sylvie and Bruno, with eight verses in the first volume and one in the second, Sylvie and Bruno Concluded.