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1.6 Manga. 2 Comic strips and webcomics. 3 References. ... This is a list of comic books, comic strips, and webcomics that feature anthropomorphic animals. Comic books
Fictional characters which are anthropomorphic. NOTE: Please make sure if a character page belongs more in one of the subcategories below instead of directly placing them into this category. For animal characters, use one of the respective subcategories of Category:Anthropomorphic animals.
This is a list of catgirls and catboys — characters with cat traits, such as cat ears, a cat tail, or other feline characteristics on an otherwise human body. The list excludes anthropomorphic cats (e.g. Hello Kitty , Top Cat , The Cat in the Hat ), humans dressed in cat costumes , and characters that fully transform between cat and human and ...
My Deer Friend Nokotan (Japanese: しかのこのこのここしたんたん, Hepburn: Shikanoko Nokonoko Koshitantan, lit. ' deer child, brazen, waiting for a chance ') is a Japanese manga series written and illustrated by Oshioshio.
Wikipe-tan, a combination of the Japanese word for Wikipedia and the friendly suffix for children, -tan, [1] is a moe anthropomorph of Wikipedia.. Moe anthropomorphism (Japanese: 萌え擬人化, Hepburn: moe gijinka) is a form of anthropomorphism in anime, manga, and games where moe qualities are given to non-human beings (such as animals, plants, supernatural entities and fantastical ...
The more difficult question is which Disney animal reigns supreme in the gauntlet of illustrated hotness, because we all nursed major childhood crushes on Disney's anthropomorphic animations ...
The God of Hell returns in season 3 to punish the newest Hell Girl, Yuzuki, after she breaks the rules and tries to send a grudge of her own to Hell. Ai then returns to save Yuzuki from being sent to Hell by The God of Hell, and she offers to replace Yuzuki as Hell Girl. The God of Hell accepts and restores Ai's position as Hell Girl.
Critic Kōtarō Iizawa favorably compared the art style of the anthropomorphic characters in Iguana Girl to the artwork of manga artist Yumiko Ōshima. [22] Writing for The New York Times, George Gustines described Iguana Girl as "oddly appealing and surprisingly bittersweet", with a message about acceptance that is "subtle, not saccharine." [25]