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Johnson's paintings are exhibited on unframed, stretched canvas, which, by avoiding the smug completeness of a frame, reminds the viewer that pictures miss as much as they reveal. On the subject of painting, she writes "I object to the belief that a painting should always be a statement about painting itself. If one has to extract such a ...
When the canvas is unframed, measuring marks are visible on the outer margin of board, indicating that the composition was carefully conceived. [7] Bacon said in a 1959 letter that the figures in Three Studies were "intended to [be] use[d] at the base of a large Crucifixion which I may still do". [20]
The Lace Maker (1662) is an oil on canvas painting by the Dutch painter Caspar Netscher. It is an example of a Dutch Golden Age painting and is part of the Wallace Collection. The woman is sitting working over a lace pillow on bobbin lace. This painting was documented by Hofstede de Groot in 1913, who wrote; "48. THE LACE MAKER. Sm. 21. Full ...
Study for Christ in the Home of Lazarus, Metropolitan Museum of Art. Oil on canvas, 26 x 29 in. (66 x 73.7 cm). undated Tanner painted Atherton Curtis and his wife into this version. [227] [324] Photo of painting from page 190 of Henry Ossawa Tanner, edited by Dewey F. Mosby. Christ in the Home of Lazarus [227] Location unknown (possibly lost ...
Degenerate Art also was the title of a 1937 exhibition held by the Nazis in Munich, ... (Im Boot), oil on canvas, 146 x 114 cm, ... sometimes unframed, usually hung ...
Olly and Suzi's art style is different from what humans are taught to appreciate as visual art. It is messy, undefined and leaves the subject unframed. [ 14 ] It is a celebration of wildness and authenticity, which captures the animal, its environment, and the emotions invoked in Olly and Suzi upon witnessing the animal.
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