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In music, a glissando (Italian: [ɡlisˈsando]; plural: glissandi, abbreviated gliss.) is a glide from one pitch to another (Play ⓘ). It is an Italianized musical term derived from the French glisser, "to glide". In some contexts, it is equivalent to portamento, which is a continuous, seamless glide between notes. In other contexts, it refers ...
a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4 ...
The area of the sliding track between these two extremes is a blend of the two channels. Crossfaders can be used to create smooth transitions between two songs on different sound inputs, or, when moved rapidly at the same time that a record is manipulated on a turntable, they can be used to create rhythmic scratching sounds and strange effects.
In music performance and notation, legato ([leˈɡaːto]; Italian for "tied together"; French lié; German gebunden) indicates that musical notes are played or sung smoothly, such that the transition from note to note is made with no intervening silence.
A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque music Segue: it follows: A smooth movement from one passage to another with ...
Often in music, the transition is the middle section or formal function, while the main theme is the beginning, and the subordinate theme is the ending. [2] It may traditionally be a part of the sonata form 's exposition in which the composer modulates from the key of the first subject to the key of the second, though many Classical era works ...
In audio/visual media, a segue is a transition from a song, scene or topic to another one. A segue allows the disc jockey, director or show host to naturally proceed from one song or scene or topic to another without jarring the audience. A good segue makes the transition look natural and effortless, such as from one live event to another.
Sondheim's score was a mix of the traditional and the unconventional. In basic form and sound, the songs were written in the style of traditional Broadway show music of the 1950s (where Merrily's story "began") and earlier, a clear departure from the musical complexity of his previous work. But the score was also written to embody the show's ...