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A polyptych (/ ˈ p ɒ l ɪ p t ɪ k / POL-ip-tik; Greek: poly-"many" and ptychē "fold") is a work of art (usually a panel painting) which is divided into sections, or panels. Some definitions restrict "polyptych" to works with more than three sections: [ 1 ] a diptych is a two-part work of art; a triptych is a three-part work; a tetraptych or ...
Ancient sources indicate that panel painting rather than wall painting (i.e., painting on wood or other mobile surfaces) was held in high regard, but very few ancient panel paintings survive. One of the few examples besides the mummy portraits is the Severan Tondo , also from Egypt (around 200), which, like the mummy portraits, is believed to ...
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...
A panel painting is a painting made on a flat panel of wood, either a single piece or a number of pieces joined together. Until canvas became the more popular support medium in the 16th century, panel painting was the normal method, when not painting directly onto a wall ( fresco ) or on vellum (used for miniatures in illuminated manuscripts ).
The Temptation of St. Anthony (Reverse side of the outer panels) c. 1500–1510 Oil on wood 131.5 × 225 cm Museu Nacional de Arte Antiga, Lisbon, Portugal The outer panels show two images: The Arrest of Christ and Christ Bearing the Cross, both rendered in grisaille. The Last Judgment c. 1500–1505 Oil on wood 163.7 × 127 cm (central panel)
A triptych (/ ˈ t r ɪ p t ɪ k / TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is ...
Whaam! is regarded for the temporal, spatial and psychological integration of its two panels. The painting's title is integral to the action and impact of the painting, and displayed in large onomatopoeia in the right panel. Lichtenstein studied as an artist before and after serving in the United States Army during World War II. He practiced ...
There has also been speculation that the father of Hugo van der Goes collaborated in the painting of the panels, but no firm evidence to support this hypothesis exists. In any case, the Saint Vincent Panels are regarded as the greatest achievement of pre-modern Portuguese art. Saint Vincent Panels. From left to right: Panel of the Friars, Panel ...
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