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African countries where masks are used traditionally Sande society sowei mask, 20th century Baoule Kple Kple Mask. Traditional African masks are worn in ceremonies and rituals across West, Central, and Southern Africa. They are used in events such as harvest celebrations, funerals, rites of passage, weddings, and coronations.
These masks almost always have streaks (incised or painted) on their surface and they are sometimes round shaped (especially among the Luba). [1] They were used in ceremonies of the Kifwebe secret societies where dances of the same name were performed, and the masks were then dressed with beards of long plant fibres attached to holes on the edges of the mask (Figure A).
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Some African tribes believe that the animal masks can help them communicate with the spirits who live in forests or open savannas. People of Burkina Faso known as the Bwa and Nuna call to the spirit to stop destruction. The Dogon of Mali have complex religions that also have animal masks. Their three main cults use seventy-eight different types ...
The Bwa is an African society that is native to Burkina Faso. This society has an approximate population of over 300,000 persons. The Bwa people live in a number of individualized communities. They have no central government, and rely on their community standards. They are most known for their scarification and elaborate plank masks. [2]
A Nguni shield is a traditional, pointed oval-shaped, ox or cowhide shield which is used by various ethnic groups among the Nguni people of southern Africa. Currently it is used by diviners or for ceremonial and symbolic purposes, [1] and many are produced for the tourist market. [2]
Nyau masks are constructed of wood and straw. and are divided into three types. [21] The first is a feathered net mask, the second is a wooden mask and the third is a large zoomorphic basketry structure that envelops the entire body of the dancer. [6] [21] Wearing the latter, dancers tend to turn around and around in a motion known as Nyau ...
Masks used offer a visually appeal for their shapes and forms. In these visual masquerades, performances of harassment, music, dance, and parodies are acted out (Oyeneke 25). These dramatic performances often depict stories of daily life with a moralistic bent that highlights the social norms that the Mmanwu so closely enforce.
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