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Typographical symbols and punctuation marks are marks and symbols used in typography with a variety of purposes such as to help with legibility and accessibility, or to identify special cases. This list gives those most commonly encountered with Latin script. For a far more comprehensive list of symbols and signs, see List of Unicode characters.
The base alphabet consists of 21 letters: five vowels (A, E, I, O, U) and 16 consonants. The letters J, K, W, X and Y are not part of the proper alphabet, but appear in words of ancient Greek origin (e.g. Xilofono), loanwords (e.g. "weekend"), [2] foreign names (e.g. John), scientific terms (e.g. km) and in a handful of native words—such as the names Kalsa, Jesolo, Bettino Craxi, and Cybo ...
Each porcelain decorated by the Atelier Camille Le Tallec in Paris is signed by an LT motif in a Sèvres-like mark. Inside the LT motif appear two series of letters. [1] First, a letter code in the upper part indicating the date of production of the piece, and second the initials of the piece's painter in the lower part.
Several 8-bit character sets (encodings) were designed for binary representation of common Western European languages (Italian, Spanish, Portuguese, French, German, Dutch, English, Danish, Swedish, Norwegian, and Icelandic), which use the Latin alphabet, a few additional letters and ones with precomposed diacritics, some punctuation, and various symbols (including some Greek letters).
In modern times, fonts of Lombardic capitals have been designed by many typographers, such as Frederic Goudy, who included a set as an alternative uppercase for his Goudy Text font. [ 7 ] First, Lombardic, or the national hand of Italy, which was a development of the uncial and was first used in northern Italy.
The lists and tables below summarize and compare the letter inventories of some of the Latin-script alphabets.In this article, the scope of the word "alphabet" is broadened to include letters with tone marks, and other diacritics used to represent a wide range of orthographic traditions, without regard to whether or how they are sequenced in their alphabet or the table.
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In Italian phonemic distinction between long and short vowels is rare and limited to a few words and one morphological class, namely the pair composed by the first and third person of the historic past in verbs of the third conjugation—compare sentii (/senˈtiː/, "I felt/heard'), and sentì (/senˈti/, "he felt/heard").